A purpose-built recording studio designed and constructed by NILES, a Nashville studio design/build firm. Room-within-a-room construction, non-parallel walls in the live room, custom wood paneling, and retractable curtains for variable acoustics. A small room built correctly, not a spare room with foam on the walls. Track a full band live with real isolation: drums in the live room, guitar amp in the isolated amp closet, vocalist or DI in the control room. All at once, all doors closed, no bleed. THE ROOMS - Live room: non-parallel walls, retractable curtains to move from tight to more live, 12 tie lines - Control room: 2 tie lines - Amp closet: fully isolated, 2 tie lines - 8' ceilings. Fully controlled lighting with no daylight variance SIGNAL - 16 simultaneous inputs, professionally run through the walls (12 live room / 2 amp closet / 2 control room) - Universal Audio Apollo x8p (8 Unison preamps) chained to an Audient ASP880 (8 preamps), matching the room's 16 tie lines - UAD Ultimate 13: the complete UAD plug-in library. Track through Neve 1073, API Vision, Manley, and UA 610 preamp emulations on the Unison inputs; 1176, LA-2A, Pultec, and Fairchild available while recording. - Line and speaker-level tie lines to every room: run your head in the control room with the cab isolated elsewhere. Re-amping ready. · Logic Pro in-house. Visiting engineers can connect their own machine to the Apollo over Thunderbolt and work in their preferred DAW. MONITORING & CUE - Yamaha HS7 nearfields in the control room - Behringer P16 personal monitoring: three stations in the live room, each player building an independent mix from 16 sources PODCAST READY - 4× Shure SM7B with Cloudlifter/FetHead preamps: a full four-person setup in a properly isolated room, not a treated corner INSTRUMENTS - 1960s Rogers drum kit and a Yamaha Export Series kit: tell us which one you want when you book so we can have it set up and miked before your session starts - Zildjian cymbals - Congas, mics, shakers - 1940s Hammond CV console organ (pre-percussion) through a Leslie 122 cabinet with 147 amplifier. 6-pin connectors · Working mic locker: well-maintained and deep enough to cover a full kit + amps Drummers are welcome to bring their own snare, cymbals, and pedals SESSION SERVICES (optional add-ons) - Use of the recording system with your own engineer - In-house engineering - Session bass, electric and upright: rock, country, jazz, Americana, bluegrass - Production and arrangement GETTING IN - Ground-level covered load-in through the garage. No stairs. - Wifi throughout GOOD TO KNOW - Room-within-a-room isolation makes late-night tracking genuinely possible: evening bookings welcome. - The studio occupies the finished half of the basement of a private home. The unfinished half is available for use 10 a.m. - 9 p.m. - Bathroom is upstairs and requires walking through the living space. - The Hammond CV is pre-percussion. Gorgeous for pads, gospel, soul, and roots material: it won't give you an articulated jazz-organ attack.